Okay… this is where my emotional, intuitive, reactionary mind picks a fight with my rational, analytical, objective mind. Buro 247 published an online interview with Dasha Zhukova, the Russian editor-in-chief of Garage magazine, who was photographed atop a chair made of a life size scantily clad black woman frozen in a very compromising position.
I am trying to be fair about the existence of this Black Woman Chair aka art piece created by Norwegian artist Bjarne Melgaard. It’s one of a series of installments inspired by the work of artist Allen Jones as a commentary on sexism and racism. To be fair there are other “furniture” pieces in this collective that feature white women in similar compromising positions.
But take the Black Woman Chair out of its collective, plop a white socialite on top of it (or her), and instantly another layer of meaning rises to the surface. The one who’s on top becomes part of the art piece. What becomes the message? Dominance over subservience? Privilege over bondage? Superiority over inferiority? Actually there may be brilliance in this transformation of perspective. If a black man sits on the Black Woman Chair, what would that say? How about a white man? A black woman? In a gallery this chair is provocative art. As Dasha’s prop in a photo op, it becomes racist.
The backlash has been extreme. In an issued statement, Dasha had this to say “…I regret allowing an artwork with such charged meaning to be used in this context. I utterly abhor racism and would like to apologize to those offended by my participation in this shoot…”
Miroslava Duma of Buro 24/7.ru wrote on Instagram, “Dear All, Buro 24.7.ru team and I would like to express our sincerest apology to anyone who we offended or hurt…”
Really now? Sometimes I wonder what people are thinking when they do stuff like this.
What do you think?